Marble, quartzite, onyx,
travertine and more.

Soft ivory and warm beige movement for kitchen islands, vanity tops and coordinated counters. Pair with timber, warm metals or quiet wall finishes for a connected interior palette.

Compare current slabs for warmth, translucency and vein direction. Review honed or polished finishes, edge profiles, joints and the quantity needed for repeated rooms. Confirm the current slab selection and available quantity for your project.

Deep forest green with fine pale veining for intimate bathrooms, fireplaces and stone furniture. The quieter pattern offers a different mood from bold brecciated green stones.

Review colour under the room lighting, finish, marble care and the proposed construction. Coordinate matching pieces across vanity tops, splashbacks and visible returns.

Burgundy veining and broad ivory fragments bring character to tables, sculpted basins and statement counters. Give the stone room to lead, with quieter adjoining surfaces.

Review full slabs as well as close-ups: the pattern changes substantially across a piece. Plan visible faces, returns and joints together. Discuss sealing and acid-sensitive marble care, especially for bars and food-contact surfaces.

Blue-grey fields crossed by warm mineral lines give counters and feature stone a cooler alternative to beige quartzite. Pair with warm timber or muted metals for balance.

Compare the blue-grey tone and golden veining across the proposed slabs. Review the selected lot, surface finish, resin treatment and fabrication details before confirming a counter or wall package.

Rose-toned mineral fields and pale contrasting fragments offer a warmer direction for bathroom stone, tables and hospitality feature surfaces.

Select the overall pink-to-white balance from whole slabs. Coordinate adjacent pieces and finishes; allow for natural differences between batches.

Linear beige movement and visible pores bring texture to tables, basins and interior stonework. Compare vein direction, filled or open pores and the proposed finish.

Review surface treatment, the selected material and application requirements together. Availability and exact appearance need confirmation.

White stone with grey movement and warm gold veins for vanities, kitchen islands, fireplace surrounds and hospitality interiors.

Compare both quiet and strongly veined slabs. Plan the gold movement across the top, apron and returns. Agree visible joints, finish and care expectations; marble can develop a patina with use.

Rounded white fields enclosed by branching grey veins give stone basins, vanities and furniture a clear graphic identity.

Read the size of the white fields against the scale of the product. Review how the veins continue around openings and edges. Confirm the exact selection before setting a vein-matching layout.

A lighter white-and-grey direction for coordinated bathrooms, wall panels and architectural interiors, with softer movement than strongly brecciated marbles.

Compare the background tone and density of grey movement across the full quantity. Align wall panels, vanity faces and adjacent floor areas around an agreed variation range.

Fine grey movement on a pale ground. Compare the vein scale against a basin, vanity top or larger panel, and agree which faces should read together.

Review the proposed selection, finish and vein arrangement across all visible faces.

Diagonal grey movement on a white ground for bathroom pieces, floors and coordinated wall panels. Compare vein direction and the range across repeated room types.

Review full slabs, the finish and visible faces before cutting. Agree vein placement, joints and variation across the required quantity; discuss sealing, acid sensitivity and care for the intended use.

A pale ground with broad grey lines suits architectural panels, vanities and sculptural bath pieces. Position the larger veins deliberately across the finished form.

Review full slabs, the finish and visible faces before cutting. Agree vein placement, joints and variation across the required quantity; discuss sealing, acid sensitivity and care for the intended use.

Broad white and grey mineral movement for vanity tops, islands and feature surfaces. Plan larger pieces around the contrasting mineral fields.

Super White is commonly supplied as dolomitic stone. Review acid sensitivity, surface care, resin treatment and the proposed lot before specifying a working counter.

A luminous, crystalline direction for feature counters and statement panels. Soft ivory and mineral movement pair with bronze, timber and understated cabinetry.

Compare full slabs under consistent lighting. For a backlit design, review the actual slab thickness, backing, light source and a lighting mock-up before fabrication. Confirm the supplied stone identity and performance with the selection.

Large cream mineral fields and graphic grey movement suit island fronts, table tops and dramatic wall compositions. Work with the slab-scale pattern when choosing proportions.

Review the actual lot, geological identification, reinforcement and cutting plan. Position seams around the mineral fields; confirm any proposed translucent areas with a physical lighting test.

Broad black ribbons across white stone give consoles, table tops and feature panels a graphic character. Plan each face from the complete slab.

Review full slabs, the finish and visible faces before cutting. Agree vein placement, joints and variation across the required quantity; discuss sealing, acid sensitivity and care for the intended use.

Fine grey movement with pale diagonal veins offers a quieter surface for vanities, wall panels and interior floors.

Castle Grey is the archive trade name. Compare the shade and veining across the selected slab group, then review finish and suitability for the intended area. Confirm the current slab group and available quantity for your project.

White veining against a dark ground creates a strong outline for a console, fireplace or reception feature. Review vein placement across joints and returns.

Discuss the proposed stone and the intended contrast, finish and vein placement before approving production.

Pale green and ivory fields crossed by deeper green bands and warm mineral patches create an expressive surface for vanities, tables and feature stonework.

Review the exact slab group, vein direction, filled areas and visible joints. Confirm the selected batch identity and required performance for the intended application.

Soft green and cream areas with rose and warm mineral accents create a painterly focal surface for vanities, tables and interior feature panels.

Compare full slabs for the balance of colour and open background. Plan the pattern across tops, returns and adjoining panels before cutting.

Branch-like rust and brown veins cross an olive-green surface, bringing a distinctive organic pattern to stone furniture and interior feature work.

Select the balance of green background and branching veins from full slabs. Review filled areas, surface texture and visible edges; agree the actual material and finish for wet or heavily used locations.

Turquoise, emerald and earthy mineral areas create a strong focal point for reception desks, bars and furniture. Use a quieter surrounding palette to keep the composition deliberate.

Review the full slab rather than a small sample. Agree the areas to keep visible, vein orientation and joins. Trade names vary; confirm material classification and fabrication requirements for the proposed lot.

Warm pink stone crossed by grey movement brings a softer colour direction to vanity tops, consoles and interior accents.

The archive uses the trade name Rosso Antique. Compare the actual slab colour and pattern before selecting; agree finish, edge treatment and care requirements for the project.

A deep wine-red background with branching white veins creates a strong focal surface for a vanity, fireplace or hospitality interior.

Compare broad areas of red with the density of white veining. Plan adjoining faces and returns together, then confirm the finish and care requirements for the intended use.

A dark ground crossed by slender gold and white veins gives counters, furniture and fireplace surrounds a graphic direction.

Review the diagonal vein direction over the complete composition. Set seams and edge returns on the drawing; compare honed and polished samples under the lighting planned for the room.

Chocolate brown with fine cream veining for fireplaces, vanities and interior floors. Consider the contrast between a polished finish and a softer honed surface.

Review full slabs, the finish and visible faces before cutting. Agree vein placement, joints and variation across the required quantity; discuss sealing, acid sensitivity and care for the intended use.

A fine network of pale veins over warm brown and beige brings texture without a single dominant stripe. Compare larger surfaces alongside timber and warm metals.

Review full slabs, the finish and visible faces before cutting. Agree vein placement, joints and variation across the required quantity; discuss sealing, acid sensitivity and care for the intended use.

Layered warm beige and taupe movement for stone furniture, vanity tops and coordinated interior surfaces.

Compare the direction of the natural layers on full slabs, especially at corners and adjoining panels. Review a finish sample against timber, metal and upholstery before committing to the palette.

A light ivory field with fine pores and restrained movement. A quiet direction for floor-to-wall schemes, bath pieces and pale stone furniture.

Compare vein-cut and cross-cut samples, filled or unfilled pores, and honed or textured finishes. Agree the colour range and filling material across the order. For wet or exterior areas, review the selected stone and finish against the project requirements.

Cream layers with darker linear movement give walls and furniture a distinct rhythm. Compare the light-ground and warmer selections across the full quantity.

Compare vein-cut and cross-cut samples, filled or unfilled pores, and honed or textured finishes. Agree the colour range and filling material across the order. For wet or exterior areas, review the selected stone and finish against the project requirements.

Layered silver, taupe and cream for long wall panels, vanity fronts and furniture. Use the direction of the bands to connect adjacent pieces.

Compare vein-cut and cross-cut samples, filled or unfilled pores, and honed or textured finishes. Agree the colour range and filling material across the order. For wet or exterior areas, review the selected stone and finish against the project requirements.

Silver-grey and brown layers create a pronounced horizontal movement. Review a full panel arrangement for floors, walling and coordinated stair pieces.

Compare vein-cut and cross-cut samples, filled or unfilled pores, and honed or textured finishes. Agree the colour range and filling material across the order. For wet or exterior areas, review the selected stone and finish against the project requirements.

Ochre, honey and brown layers offer a richer alternative to pale travertine. Compare the graphic vein-cut face with a softer cross-cut appearance.

Compare vein-cut and cross-cut samples, filled or unfilled pores, and honed or textured finishes. Agree the colour range and filling material across the order. For wet or exterior areas, review the selected stone and finish against the project requirements.

Terracotta and deep red bands bring warmth to fireplace surrounds, tables and interior feature walls. Keep adjacent finishes simple and consider the pattern across corners.

Compare vein-cut and cross-cut samples, filled or unfilled pores, and honed or textured finishes. Agree the colour range and filling material across the order. For wet or exterior areas, review the selected stone and finish against the project requirements.

A pale limestone direction with fine mineral flecks for walls, floors and quieter interior compositions.

Compare tone, natural markings and the chosen finish across the required quantity. Review absorption, sealing and suitability for the intended area.

Golden beige stone with scattered fossil-like markings gives walls and flooring a warmer, more textured appearance.

Review the density and distribution of natural markings on whole slabs. Confirm the finish, thickness and performance required for the proposed application.

Small pale inclusions against a soft grey background offer a restrained alternative to warm beige limestone.

Grey Moca follows the archive trade name. Compare the selected batch against adjoining finishes and confirm surface treatment and care requirements.

A fine-grained light grey texture for paving, steps and coordinated exterior stonework.

Confirm the specific supply source, finish and colour range; G603 is a trade code. Agree sett dimensions, joint spacing and project-specific exterior requirements.

Dark mineral texture with small reflective accents for counters, vanity tops and architectural details.

Compare the grain and finish on a current sample. Review the proposed edge treatment and the performance needed for the intended surface.

Pale ivory stone with warm golden veins for decorative panels, reception features and custom interior pieces.

Coordinate panel support, backing, joints and any lighting mock-up with the project team.

Pale pink and cream fields crossed by dark and warm mineral veins, for decorative interior pieces and feature surfaces.

Review the actual slab, reinforcement and joints. For a lit feature, evaluate a sample with the proposed light source; transmission varies. Confirm care for water-exposed surfaces.

Honey-coloured layers and pale bands for decorative wall panels, reception features and custom pieces.

Compare full slabs for vein direction and tonal range. Any backlit assembly needs a sample review of the stone, backing and lighting together.

Deep blue quartzite from Brazil with white fields and dark veins, for an island, a bar or a wall that should stop people.

Colour and veining change a great deal across a block. Choose from photographs of the actual slabs, backlit where it matters, and plan the joints across the piece.

Brazilian quartzite in waves of grey-green, beige and gold, for islands, vanity tops and feature walls.

Fusion comes in several looks, from soft grey-beige to strong green and gold. Choose from photographs of the actual slabs, and plan the joints so the waves run on.

White Brazilian quartzite with long, fine grey and taupe lines, for kitchen islands, vanity tops and walls.

The long lines run mostly one way through the block, crossed here and there by finer veins. Choose from photographs of the actual slabs and decide which way the lines run on each piece before cutting.

Italian marble in diagonal bands of blush, cream and taupe, for vanities, walls, fireplaces and furniture.

The bands are strong and run on the diagonal. Choose from photographs of the actual slabs and plan the direction across joints, or bookmatch two slabs.

Italian white marble with a bright white ground and bold grey veins, for bathrooms, walls, fireplaces and furniture.

Statuario is sold in grades such as Extra and Venato, which differ in how much veining they carry. Choose by the look: we send photographs of the actual slabs, you confirm the style, and two slabs can be bookmatched where the veins should meet.

Italian white marble with a warm ivory ground and long grey veins, some touched with gold, for vanities, walls, fireplaces and tables.

Calacatta is a family of stones from several quarries, sold under names such as Borghini, Vagli and Oro, each with its own ground and veining. Names vary by quarry and trader, so choose by the look: we send photographs of the actual slabs, you confirm the style, and we plan where the strongest vein falls on each piece.